MY MUSIC...
ORCHESTRA...
- Haworthia Alarm Will Sound
- Monologues: To Be Or Not To Be Wesley Warnhoff, University of Missouri Philharmonic
- Monologues: Trippingly On The Tongue Wesley Warnhoff, University of Missouri Philharmonic
- Monologues: O Bosom Black As Death Wesley Warnhoff, University of Missouri Philharmonic
Just Keep Going, orchestra (1.1.1.1 – 2.1.1.0 – strings, harp, timpani + 2 perc.) 7 minutes, July 2022
Haworthia, sinfonietta (1.1.2=B.Cl.1 – 1.1.1.0 – strings, piano, 2 perc.) 7 minutes July 2019
Monologues, clarinet concerto (2.2.2.2 – 2.2.2.1 – strings, timpani + 3 perc.), 20 minutes, January 2019
Antrios, orchestra (2.2.2.2 – 2.2.2.0 – strings, timpani + 2 perc.), 8 minutes, October 2017
SOLOS AND DUOS...
- Ochres and Bones Robbie Bui and Peter Ko 8:38
- Slow Burn Wesley Warnhoff 6:56
- FACE Caleb Henry, Adeline DeBella 7:14
- Screens, Screams, Schemes Kosuke Matsuda 9:21
- End To End Felipe Garibaldi
- Revolving Door Patti Kilroy
- translucent blinding Robbie Bui, Matt Henson 11:01
- Chance, Or Fate? Pete Harden, Saskia Lankhoorn
- last menagerie Jonathan Shin
- Together Balagan Duo 7:52
- when Icarus fell it was spring Pedro Ramiro, Ross Dryer 5:00
- Two Songs: Winter Trees Erin Hoerchler, Ross Dryer 2:18
- Two Songs: On Getting A Card Erin Hoerchler, Ross Dryer 2:06
- Rec(over)y Wesley Warnhoff 5:05
Clearest Clear, for violin solo, April 2024
Ochres and Bones, for two cellos, 7 minutes, August 2023
Slow Burn, for clarinet and fixed media, 7 minutes, March 2023
FACE, for any combination of flute, viola, and electronics, 7 minutes, August 2022
Screens, Screams, Schemes, for percussion solo and live electronics, 10 minutes, November 2021
End To End, for classical guitar, 6 minutes, March 2021
Revolving Door, for violin and electronics, 10 minutes, January 2021
Chance, Or Fate?, for electric guitar, piano and fixed media, 8 minutes, October 2020
Translucent Blinding, for cello and double bass, 12 minutes, May 2020
Last Menagerie, for piano, 7 minutes, January 2020
Together, for violin and classical guitar, 10 minutes, November 2019
when Icarus fell it was spring, for violin and piano, 5 minutes, October 2018
Two Songs, for soprano and piano, 5 minutes, July 2018
Rec(over)y, clarinet and fixed media, 5 minutes, April 2017
CHAMBER ENSEMBLES..
- Articulate Particulate Mivos Quartet 7:02
- Blocks UCSD Bass Ensemble 5:42
- Looking Toward 2000AD Zenith Reed Quintet
- Atmospheres of Night: The Moon Rachel Mink, Leonard Weiss, Hayley Camp, Adam Davis, Alvaro Vazquez, Caleb Henry
- Perspectives Wesley Warnhoff, Julie Rosenfeld, Natalia Bolshakova 9:07
- Bluish Orange International Counterpoint 5:03
New Work, for brass quintet, September 2024
Understory, for flute, clarinet, trumpet, violin, cello, percussion, and live electronics, 12 minutes, August 2023
Articulate Particulate, for string quartet and generative score, 8 minutes, May 2022
Blocks, for three double basses, 6 minutes, February 2022
Atmospheres Of Night, for soprano and string quartet, 20 minutes, August 2021
Decorative Shed, for mixed chamber ensemble (0.1.1.1 – 1.0.0.0 – 2.1.1.1 + 1 perc.), 4 minutes, May 2021
Looking Toward AD2000, for Reed Quintet, 15 minutes, September 2020
SCREAM, for flute, clarinet, trombone, violin, cello, piano, and percussion, 2 minutes, December 2019
Checkerboard, for 4 clarinets, 5 minutes, March 2018
Perspectives, for violin, clarinet, and piano, 9 minutes, August 2017
Bluish Orange, for flute, clarinet and alto saxophone, 5 minutes, January 2017
ELECTROACOUSTIC MUSIC...
- Slow Burn Wesley Warnhoff 6:56
- FACE Caleb Henry, Adeline DeBella 7:14
- Articulate Particulate Mivos Quartet 7:02
- Screens, Screams, Schemes Kosuke Matsuda 9:21
- Revolving Door Patti Kilroy
- Chance, Or Fate? Pete Harden, Saskia Lankhoorn
- Rec(over)y Wesley Warnhoff 5:05
Understory, for flute, clarinet, trumpet, violin, cello, percussion, and live electronics, 12 minutes, August 2023
Slow Burn, for clarinet and fixed media, 7 minutes, March 2023
FACE, for any combination of flute, viola, and electronics, 7 minutes, August 2022
Articulate Particulate, for string quartet and generative score, 8 minutes, May 2022
Screens, Screams, Schemes, for percussion solo and live electronics, 10 minutes, November 2021
Revolving Door, for violin and electronics, 10 minutes, January 2021
Chance, Or Fate?, for electric guitar, piano and fixed media, 8 minutes, October 2020
Rec(over)y, clarinet and fixed media, 5 minutes, April 2017
VOCAL MUSIC...
- Atmospheres Of Night: The Moon Rachel Mink, Leonard Weiss, Hayley Camp, Adam Davis, Alvaro Vazquez, Caleb Henry
- Two Songs: Winter Trees Erin Hoerchler, Ross Dryer 2:18
- Two Songs: On Getting A Card Erin Hoerchler, Ross Dryer 2:06
Atmospheres Of Night, soprano and string quartet, 20 minutes, August 2021
Two Songs, soprano and piano, 5 minutes, July 2018
Displacement
Displacement is a sound installation and sculpture that explores the impact of the military on surrounding civilian communities within San Diego. The piece focuses on the sonic disruption caused by military aircraft. The piece has two main parts: a sonic component and physical component. The sonic part consists of field recordings of fighter jets taken in La Jolla, and the physical element is a series of metal plates scattered about the space with soil and pieces of broken flowerpots on top of them. During the installation, the sounds of the fighter jets are played directly into the metal plates using transducers. The vibrations slowly shake the dirt and pot fragments off the plates. The moving particulates create additional noise as they crash against the plates intensifying the violence of the sounds. As the installation runs, more and more objects will accumulate on the ground next to the plates illustrating complete displacement from their original location. Through this action of displacement, the piece questions how the sonic environment created by the military disturbs the human and natural landscapes around San Diego.
FILM SCORE...
- That Time I Made a Film About Brady (2017)
- Maggephah (2015)